We will not accept returns based on color discrepancies. Beautify your home and enrich your prayer-life with this lovely devotional icon.Īctual colors may vary online vs. Michael the Archangel comes as a 5/8 inch thick glossy wood wall plaque with a slot on the back for hanging.
Loya draws inspiration from traditional icons and uses bold and vivid hues to depict familiar Christian themes and biblical scenes. After the manner of ancient iconographers, Fr. Michael the Archangel was written by contemporary Catholic artist Fr. 2019, doi:10.26658/jmr.Saint Michael Wall Plaque by Fr. "Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology",Ħ3-73, Nov. Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology.
%T Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology %0 Journal of Mosaic Research Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology T1 - Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology "Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology". "Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology" Iconography of Marine Vessels Depicted in Mosaics and Its Importance to Marine Archaeology Stronk, “Greek sailing merchant-ships, c. Kingsley, Oceans Odyssey 3, The Deep-Sea Tortugas Shipwreck, Straits of Florida: A Merchant Vessel from Spain‘s 1622 Tierra Firme Fleet, Oxford and Oakville. Raban, “The Ship from Migdal Nunia”, Sefunim 7, 48-55. Tsafrir (ed.), Ancient Churches Revealed (Israel Exploration Society), Jerusalem, 265-272. Tsafrir, “A Byzantine Church Complex at Horvat Beith Loya”, Y. Stern (ed.), The New Encyclopedia of Archaeological Excavations in the Holy Land, Jerusalem, 210-213. Parker, “Cargos, Containers and Stowage: the Ancient Mediterranean”, IntJNautA 21, 2, 89-100. Meyboom, Palestrina, Early Evidence of Egyptian Religion in Italy, Leiden, New-York, Cologne. Kahanov, The Ma‘agan Michael Ship, Haifa. Grossmann, Marine Craft in Ancient Mosaics of the Levant, BARIntSer 2249, Oxford.
MICHAEL T. LOYA ICONOGRAPHER SERIES
Taylor (eds.), Beneath the Church of the Holy Sepulchre, Jerusalem: The Archaeology and Early History of Traditional Golgotha (Palestine Exploration Fund Monograph Series Major 1), London, 25-50. Daszewski, Corpus of Mosaic from Egypt I: Hellenistic and Early Roman Period, Mainz. Daszewski, Nea Paphos II, La mosaïque de Thésée, Vasovie. Casson, Ships and Seamanship in the Ancient World, New Jersey. Basch, Le Musée Imaginaire de la Marine Antique, Athens. Avi-Yonah, “The Haditha Mosaic Pavement”, IEJ 22, 118-122. Avissar, “Lod – A Mosaic Floor”, ExcIsr 17, 169-172. Furthermore, from the 2nd centuryĪD and onwards, decorating churches (Fig. Nevertheless, their uses are known to us from literature and artworks. Unlike wooden boats, remains from ancient reed boats have not been found, since they decay with The earliest mosaic we describe in this article is the reed boat from El-Amarna, Egypt (Fig. (Thesaurus on a boat with Ariadne, Daszewski 1977: pl. In buildings, they were frequently included in stories (Fig. 8, 11, 12), even under a threshing-įloor (Fig. Mosaics depicting ships have been discovered centimeter,īut often smaller cubes were used to depict faces (Figs. The mosaics we are referring to here were predominantly made from tesserae cubes measuring 1 sq. Researched boats a trend not common in contemporary mosaic art. It is important to mention that in ancient times artists tried to conveyĪ precise image of the objects they represented, thing that helps us to understand the exact appearance of the Wall at the crusader castle in Akko Israel. Gibson 1994: 34-42), mosaics, coins, even engraved on walls, such as on the a drawing of a sailing boat in the Church of St. Trade, and not only in the Mediterranean Region, artists frequently used ships as a subject of their artworks. As shipping was one of the most important transports for This article deals with the iconography of ancient ships, depicted in mosaics of the Eastern MediterraneanĬoast, from Syria, Lebanon, Jordan, Israel to Egypt.
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